September
2019

Country of Origin

Holland

Morpheus

Reviewer: Srajan Ebaen
Financial interests: click here
Sources: Retina 5K 27" iMac (4GHz quad-core with Turbo boost, 32GB RAM, 3TB FusionDrive, OSX Yosemite. iTunes 14.4), PureMusic 3.02, Audirvana 3, Qobuz Hifi, Tidal Hifi, COS Engineering D1, Denafrips Terminator, Soundaware D300Ref as USB bridge/SD transport, Jay's Audio CDT2 MkII & DAC2-SE
Preamplifier: Vinnie Rossi L2 Signature Preamplifier, Nagra Classic, Wyred4Sound STP-SE Stage II, COS Engineering D1, Vinnie Rossi LIO (AVT module)
Power & integrated amplifiers: Pass Labs XA30.8; FirstWatt SIT1 monos, SIT3. F5, F6, F7; Goldmund/Job 225; Wyred4Sound mINT; Nord Acoustics NC500 monos; LinnenberG Audio Liszt monos, Bakoon AMP-13R
Loudspeakers: Audio Physic Codex; Cube Audio Nenuphar; Kroma Audio Mimí; EnigmAcoustics M1; Albedo Audio Aptica; EnigmAcoustics Mythology 1; Boenicke Audio W5se; Zu Audio Druid V, VI & Submission; German Physiks HRS-120; Eversound Essence; Fram Midi 150
Cables: Complete loom of Allnic Audio ZL 3000; Zu Event; KingRex uArt double-header USB cables; Tombo Trøn S/PDIF; van den Hul AES/EBU; AudioQuest Diamond glass-fibre Toslink; Black Cat Cable redlevel Lupo; Ocellia OCC Silver
Power delivery: Vibex Granada/Alhambra on all source components, Vibex One 11R on amps/sub
Equipment rack: Artesania Audio Exoteryc double-wide 3-tier with optional glass shelves, Exoteryc Krion and glass amp stands
Sundry accessories: Acoustic System resonators
Room: 4 x 6m with high gabled beam ceiling opening into 4 x 8m kitchen and 5 x 8m living room, hence no wall behind the listening chairs
Review component retail: TBA

Preproduction sample

The blue or the red pill?

July 31st. Synchronicity. When it happens, it's a bolt of lightning only you can see. Wondering what had happened at Metrum Acoustics since the ownership change of a year ago, I had logged onto their site to feel none the wiser. Less than two hours later, Cees Ruijtenberg's email arrived. "It's time to inform you of new things and also of Metrum. I'm getting worrisome feedback. Old customers mention that the soul has gone from the company. I've also not been asked to create any new products. Hopefully they recover. If not, I'm willing to take on support if necessary. It would be most sad to see this brand falter after my nine years of hard work to bring it to the level it was at in the summer of 2018. One year ago I was still full of ideas so started a small loudspeaker line just to use my creativity and have some fun. The first, the passive Model One, will launch in a few months. The active Model Two is currently moving from studio to studio for evaluation. The Model Three will be a full digital system which is in progress now."

"I also started Sonnet Digital Audio to use the next-gen DACs I developed for the Model Three. This is a joint venture with the firm who made my housings for Metrum Acoustics. I've known their CEO Lion Kwaaijtaal for 29 years. Based on our no-nonsense approach, it's fun working together. My plans are to send you my first set of passive Acelec Model One speakers as soon they're ready. Later we'll supply you with the new DAC and maybe some other products." Given the design DNA, it's no surprise that Morpheus would be an R2R DAC with variable reference voltage. It enables lossless volume control based on scaling the actual gain factor up and down so no bit decimation is involved.

"The Sonnet range gives you more weight, body, tonal richness and a more natural sense of recorded space. To put it more plainly, it fleshes out your music. This new range does a wonderful job of presenting even the most complex music in a natural inviting manner with every last ounce of nuance intact. There's no artificial edge, no sense of flat cutout images, basically none of digital's nastier stuff. In some cases this can be accompanied by a somewhat dark and muddy sound. But that is absolutely not the case with the new Sonnet range. It allows you to hear deep into the recording and its quality. This is somewhat of a good news/bad news proposition in that you'll really hear what's there."

The new fully balanced digital cards plug in vertically to consume less space. Optional is an MQA card that's automatically recognized once inserted. (There was an earlier upsampler card option which Cees removed because its sound "seemed more restricted and less open".) "The display on the front panel will tell you when MQA content plays as 'MQA' or 'MQA studio'. MQA signifies an older enhanced recording, MQA Studio a modern recording where MQA was used during the entire recording process." About the new converter cards, "our SDA-2 is a new module designed to get the best regulation possible. The result is extremely high linearity right down to -140dB. That gives our products a realistic 24-bit dynamic range. Each module has four ladders so each channel uses eight. Their power requirements are far lower than previous designs so we need just eight watts for all the electronics. One of the reasons is a new type of ladder driven from a new type of FPGA. Before we drove two ladders with one FPGA. Now it is four with improved software and an increase of S/NR by 6dB." Thus the standard hardware inside Morpheus means two SDA-2 cards per channel. Those run in differential mode for -155dB S/NR relative to 2Vrms. Output impedance on RCA and XLR is the same 100Ω. Data support is up to 96kHz for Toslink, 192kHz for coax and AES/EBU, 384kHz for USB. The USB port can be replaced by I²S if so ordered. A matching 6-button metal remote control is included.

Given the back story, it's perhaps no surprise that the new Ruijtenberg converter would be called Morpheus. A new modular adventure awaits. Will you take the red or the blue pill?

Both you say? Purple haze it is.

… to be continued…