Country of Origin
Reviewer: Srajan Ebaen
Financial interests: click here
Main system: Sources: Retina 5K 27" iMac (4GHz quad-core with Turbo, 32GB RAM, 3TB FusionDrive, OSX Yosemite. iTunes 14.4), PureMusic 3.02, Audirvana 3, Qobuz, Tidal, Denafrips Terminator+ clock-synced to Soundaware D300Ref SD transport/USB reclocker; Preamp: Vinnie Rossi L2 Signature with WE VT52/300B or Elrog 50/300B; Power amps: LinnenberG Liszt monos; Headamps: Questyle CMA-800r monos; Phones: HifiMan Susvara; Loudspeakers: Audio Physic Codex; Cube Audio Nenuphar; Aurai Audio M1 [on loan]; Cables: Complete loom of Allnic Audio ZL; Power delivery: Vibex Granada/Alhambra on all source components, Vibex One 11R on amps, LessLoss C-MARC Entropic cords between wall and conditioners; Equipment rack: Artesanía Audio Exoteryc double-wide 3-tier with optional glass shelves, Exoteryc Krion and glass amp stands; Sundry accessories: Acoustic System resonators, LessLoss Firewall for loudspeakers, Furutech NCF Signal Boosters; Room: 4 x 6m with high gabled beam ceiling opening into 4 x 8m kitchen and 5 x 8m living room so no wall behind the listening chairs
2nd system: Source: Soundaware D100Pro SD transport; DAC/pre: Denafrips Terminator or COS Engineering D1; Amplifier: Bakoon AMP-13R or Crayon CFA-1.2; Loudspeakers: Acelec Model 1 w. Franck Tchang magnesium super tweeters, sound|kaos Vox 3awf, Zu Submission subwoofer; Power delivery: Furutech GTO 2D NCF; Equipment rack: Hifistay Mythology Transform X-Frame [on extended loan]; Sundry accessories: Audioquest Fog Lifters; Furutech NFC Clear Lines; Room: ~4x6m
Desktop system: Source: HP Z230 work station Win7/64; USB bridge: Audiobyte Hydra X+; Headamp: Kinki Studio Vision THR-1; Phones: Audeze LCD-XC on Forza Audio Lab cable; Powered speakers: Fram Audio Midi 120
Upstairs headfi system: Source: Soundaware A280 SD transport; Integrated amplifiers: Schiit Jotunheim R or Bakoon AMP-13R; Phones: Raal-Requisite SR1a, Audeze LCD-2, Final Sonorous X & D8000, HifiMan HE-1000
2-channel video system: Source: Oppo BDP-105; DAC: Kinki Studio; Preamp: Wyred4Sound STP-SE II; Power amp: Pass Labs XA-30.8; Loudspeakers: German Physiks HRS-120; Room: ~6x4m
Review component retail ex VAT: €9'000/pr satin cherry, €9'500/pr high-gloss rosewood
First M Zero Junior shown next to an M1 Classic for size reference.
From zero to hero?
Zero means… well, nothing.
Then why call a speaker Model Zero?
It's answered if its designer started from nothing. If he rethought the entire game. Carte blanche. Tabula rasa.
Alas, give some designers carte blanche and you might as well hand them an unlimited American Express Centurion card. They'll spend silly money to end up with a monstrosity not even a mother could love.
If you're Alain Pratali, otherwise retired savant in southern France's Marseilles, your carte blanche is stamped sanity. Now your proof-of-concept Zero measures just 110cm tall on a 41x55cm WxD foot print.
Top to bottom, it runs a dipole ESS AMT with a dipole Supravox paper-cone widebander. Hidden inside works a 11.8" Audio Technology woofer. Bandwidth is a sensible 35Hz to 22kHz, sensitivity a true 94dB.
But what if that zero is still too big?
How about half a zero? Hello Zero Junior.
It scales the concept down. The tweeter now is Alain's proprietary sub 0.12g polyester dome, the very same we already met in the M3 and M1 models. It's based on a Western Electric 555 motor with floating 2-inch Altec diaphragm. It loads into a precision-machined ellipsoidal Delrin horn which in the above photo still turned into a Laurence Dickie-style tapered tube hovering like a katana display above the enclosure.
"For Zero Junior, I was no longer forced to put the tweeter on the same vertical baffle as the mid/woofer which I had to do for the M1 and M3 to simplify their constructions. Now Junior's set-back tweeter pod corrects for the 0.3ms time offset."
The Supravox paper-cone widebander operates in dipole mode again so the box opens to it behind a grill in the back. Whereas Zero's woofer vented through three slot ports in the front, the first Junior moved those slots to the rear.
That begs questions. Is this a ported bass alignment? A TQWT? A transmission line? A hybrid?
"When I began the project, I started from scratch. I wanted to merge the very best I had ever heard as both an engineer and audiophile. A parallel goal was to make a small speaker, not a giant like we currently see them in the glossy magazines. So the Zero Junior is just 115 x 30 x 47cm and weighs 42kg."
"To get serious, let's be clear. We don't have 1001 options. There's the closed box, open baffle, bass reflex, quarter wave tuning, band pass and all variants on resonant bass circuits with twin impedance peaks. I've heard them all and tried everything. It turns out that a 4th-order symmetrical band pass gives me bass that's very elegant and fast. It's my greatest listening satisfaction in the low registers. So that's what I pursued for the range of 30Hz to maximally 125Hz. The woofer chamber is sealed, a vented chamber fronts it."
Here's a video which Alain considers a very good presentation on the subject even though he also disagrees with the presenter.
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