Country of Origin
Reviewer: Srajan Ebaen
Financial interests: click here
Sources: Retina 5K 27" iMac (4GHz quad-core with Turbo boost, 32GB RAM, 3TB FusionDrive, OSX Yosemite. iTunes 14.4), PureMusic 3.02, Audirvana 3, Qobuz Hifi, Tidal Hifi, COS Engineering D1, Denafrips Terminator, Soundaware D300Ref, AURALiC Vega
Preamplifier: Vinnie Rossi L2 Signature with WE VT52/300B or Elrog 50/300B, Nagra Classic, Wyred4Sound STP-SE Stage II, Vinnie Rossi LIO (AVT module)
Power & integrated amplifiers: Pass Labs XA30.8; FirstWatt SIT1 monos, SIT3, F5, F6, F7; Goldmund/Job 225; Aura Note Premier; Wyred4Sound mINT; Nord Acoustics NC500 monos; LinnenberG Audio Liszt monos
Loudspeakers: Audio Physic Codex; Cube Audio Nenuphar; Albedo Audio Aptica; EnigmAcoustics Mythology 1; Boenicke Audio W5se; Zu Audio Druid V & VI & Submission; German Physiks HRS-120; Eversound Essence; Fram Midi 150 & 120; Acelec Model One
Cables: Complete loom of Allnic Audio ZL3000 and Zu Event; KingRex uArt, Zu and LightHarmonic LightSpeed double-header USB cables; Tombo Trøn S/PDIF; van den Hul AES/EBU; AudioQuest Diamond glass-fibre Toslink; Black Cat Cable redlevel Lupo; Ocellia OCC Silver
Power delivery: Vibex Granada/Alhambra on all source components, Vibex One 11R on amps/sub
Equipment rack: Artesania Audio Exoteryc double-wide 3-tier with optional glass shelves, Exoteryc Krion and glass amp stands
Sundry accessories: Acoustic System resonators
Room: 4 x 6m with high gabled beam ceiling opening into 4 x 8m kitchen and 5 x 8m living room, hence no wall behind the listening chairs
Review component retail: €TBA
First M Zero Junior shown next to an M1 for size reference.
From zero to hero?
Zero means… well, nothing.
Then why call a speaker Model Zero?
It's answered if its designer starts from nothing. If he rethinks the entire game. Carte blanche. Tabula rasa.
Alas, give some designers carte blanche and you might as well hand them an unlimited American Express Centurion card. They'll spend silly money to end up with a monstrosity not even a mother could love.
If you're Alain Pratali, otherwise retired savant in southern France's Marseilles, your carte blanche is stamped sanity. Now your proof-of-concept Zero measures just 110cm tall on a 41x55cm WxD foot print.
Top to bottom, it runs a dipole ESS AMT with a dipole Supravox paper-cone widebander. Inside the cabinet hidden from view works a 11.8" AudioTechnology woofer. Bandwidth is a sensible 35Hz to 22kHz, sensitivity a true 94dB.
But what if that zero is still too big?
How about half a zero? Hello Zero Junior.
It scales the concept down. The tweeter now is Alain's proprietary sub 0.12g polyester dome we already met in the M3 and M1 models. It's based on a Western Electric 555 motor with floating 2-inch Altec diaphragm. It loads into a precision-machined ellipsoidal Delrin horn which here turns into a Laurence Dickie-style tapered tube hovering like a katana display above the enclosure.
"For Zero Junior, I was no longer forced to put the tweeter on the same vertical baffle as the mid/woofer which I had to do for the M1 and M3 to simplify their constructions. Now Junior's set-back tweeter pod corrects for the 0.3ms time offset."
The Supravox paper-cone widebander operates in dipole mode again so the box opens to it behind a grill in the back. Whereas the M Zero's woofer vents through three slot ports in the front, Junior moves those slots to the rear.
That begs questions. Is this a ported bass alignment? A TQWT? A transmission line? A hybrid?
"When I began the Zero Project, I started from scratch. I wanted to merge the very best I had ever heard as both an engineer and audiophile. A parallel goal was to make a small speaker, not a giant like we currently see them in magazines. So the Zero Junior is just 115 x 30 x 47cm and weighs 42kg."
"To get serious, let's be clear. We don't have 1001 options. There's the closed box, open baffle, bass reflex, quarter wave tuning, band pass and all variants on resonant bass circuits with twin impedance peaks. I've heard them all and tried everything. It turns out that a 4th-order symmetrical band pass gives me bass that's very elegant and fast. It's my greatest listening satisfaction in the low registers. So that's what I pursued for the range of 30Hz to maximally 125Hz. The woofer chamber is sealed, a vented chamber fronts it."
Here's a video which Alain considers a very good presentation on the subject even though he also disagrees with the presenter.
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