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The Acapella High Campanile 2 is a very exclusive physically enormous loudspeaker and the sonically most convincing I have ever come across, hard stop. That may not surprise given the price tag where these humdingers should have a lot to offer. And yet I was surprised. I had expected something more incremental, not this fundamental. This Acapella easily ticks off the usual checklist of sonic criteria but that you can get for half the price. What to me was new and unheard of was the combination of life-like dynamic impact, authentic tonal colours and sheer resolution. To convey the imposing size of an orchestral tutti with full energy then a solo violin emerging from behind a piano with a level of realism never heard before… even high-quality high-end speakers are often stumped to reproduce both so convincingly let alone together. The Campanile 2 on the other hand pulls it off most nonchalantly. That for me—the intimate and grandiose, simultaneously—is the decisive selling point which sets this speaker apart. Contra arguments are child's pay of course. Too big. Too heavy. Too expensive. Anyone who demands more safety distance in terms of energy and musical expanse will probably prefer more compact loudspeakers, too. Then there is the question of genre. The Campanile is suitable for all musical tastes, no question about it. Yet anyone who majors on sophisticated Scandinavian jazz, girl-with-guitar songs and the occasional chart Rock won't plumb this speaker's fullness; not even close. It's those who demand a lot more and stash the necessary cash – it's them my daughter and I will now envy.

Psych profile of the Acapella High Campanile 2:

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