Country of Origin
Reviewer: Srajan Ebaen
Financial interests: click here
Sources: Retina 5K 27" iMac (4GHz quad-core with Turbo boost, 32GB RAM, 3TB FusionDrive, OSX Yosemite. iTunes 14.4), PureMusic 3.02, Audirvana 3, Qobuz Hifi, Tidal Hifi, COS Engineering D1, Denafrips Terminator, Soundaware D300Ref, AURALiC Vega, Jay's Audio CDT 2 MkII & DAC-2 SE
Preamplifier: Vinnie Rossi L2 Signature with WE 300B/VT52 or Elrog ER300B/50; Nagra Classic, Wyred4Sound STP-SE Stage II, Vinnie Rossi LIO (AVT module); April Music Stello HP100 MkII
Power & integrated amplifiers: Pass Labs XA30.8; LinnenberG Audio Liszt monos; FirstWatt SIT1 monos, SIT-3, F5, F6, F7; Goldmund/Job 225; Aura Note Premier; Wyred4Sound mINT; Nord Acoustics NC500 monos; April Music Stello S100 MkII; Crayon Audio CFA-1.2; SAG AIO; Bakoon AMP-13R
Loudspeakers: Audio Physic Codex; Acelec Model One; Cube Audio Nenuphar; Kroma Audio Mimí; Albedo Audio Aptica; EnigmAcoustics Mythology 1; Boenicke Audio W5se; Zu Audio Druid V & VI & Submission; German Physiks HRS-120; Eversound Essence; Fram Midi 150 & 120; sound|kaos Vox 3f [on review]
Cables: Complete loom of Allnic Audio ZL3000/5000 and Zu Event; KingRex uArt, Zu and LightHarmonic LightSpeed double-header USB cables; Tombo Trøn S/PDIF; van den Hul AES/EBU; AudioQuest Diamond glass-fibre Toslink; Black Cat Cable redlevel Lupo; Ocellia OCC Silver
Power delivery: Vibex Granada/Alhambra on all source components, Vibex One 11R on amps/sub, Puritan Audio Labs PSM156 & PS106-DC
Equipment rack: Artesania Audio Exoteryc double-wide 3-tier with optional glass shelves, Exoteryc Krion and glass amp stands
Sundry accessories: Acoustic System resonators
Room: 4 x 6m with high gabled beam ceiling opening into 4 x 8m kitchen and 5 x 8m living room, hence no wall behind the listening chairs
Review component retail: €24'800 ex VAT
Having started in 1985 with a head amp then a phono stage, Gryphon of Denmark are the quintessentially analogue company.
Even though today's Kalliope flagship D/A converter can be optioned as a condensed fully encased module inside their Diablo 120, Diablo 300 and Zena models to cover all bases, the company still don't do a streamer. That isn't an option.
What they bowed at HighEnd Munich 2019 instead was the Ethos CDP/DAC. It replaces the earlier Mikado which years prior had quietly phased out when Phillips discontinued its CD-PRO2 transport, then scuttled manufacture of upscale Redbook drives altogether. To retain sufficient replacement sleds for eventual service calls, Gryphon thus discretely discontinued formal Mikado production.
Finally Austria's StreamUnlimited introduced their 3-beam laser CD-PRO 8S module as official CD-PRO2 successor last year. Like Pro-Ject did in their RS2 T, now Gryphon spotted an opportunity to revisit their support of the undying CD format. Obviously Ethos would be packaged with a built-in upsampler and digital inputs including USB to support 384kHz PCM and DSD512. Being a Gryphon, the circuitry would also be front-to-back balanced, dual mono, no feedback and class A.
Prior to its demo in the above full-Gryphon system, CEO Jakob Odgaard was asked for a percentage. How much of the sound attendees were about to hear would be due to their new source? "About half. I couldn't exactly say 40% or 60% but a very significant impact on the overall sound." Recall that a CD's pits and lands aren't actual 1 and 0. They're just physical representations or analogues read by laser to register as two voltage states approximating square waves. That's not so dissimilar from how a cartridge reads the grooves of a vinyl LP. Now we appreciate how the name 'Ethos' segues back all the way to the company's beginnings. In fact, nobody listens to digital; ever. Hearing only works in the analog domain. All digital must first be converted before we can hear it. Whilst still in the digital domain, only measurements do any 'listening' at all.
For Gryphon, the form factor of triangulating not squaring the circle of the CD is absolute novelty. So is a two-tone scheme to introduce silver into the previously all-black range. Upon his retirement announced during Munich 2018, company founder Flemming Rasmussen had promised Gryphon another three design concepts. The first of these testaments is Ethos. The second is the new Essence range of class A stereo and power amps with matching preamp which revisits the rounded-point triangle as a diplay detail.
For Ethos, Gryphon's creed demanded dual-mono converters, here one of Sabre's best ES9038Pro 8-channel chips in voltage mode to perform massive parallel processing per channel. That choice of conversion silicon includes 7 x user-selectable PCM and 3 x DSD digital filters. Asynchronous upsampling to 384kHz is user-selectable too. There's even on-the-fly resampling of PCM to DSD128 but no support for physical SACD. For that a rather higher €39'500 budget might look at Métronome's AQWO separates with Denon transport. As pioneered for Kalliope, the USB input is powered by a super-capacitor bank for 12.5 Farad of virtual battery charge. More digital inputs are 110Ω AES/EBU and 75Ω BNC. There's even an AES/EBU output to convert Ethos into a pure transport which then requires off-board conversion. Analog outputs are on 2V RCA and 4V XLR. Being a fully balanced circuit, the latter are obviously preferred.
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