A parallel test would be the Japan-based formation Orquesta De La Luz and their album Somos Differentes [BMG 7 4321-10674-2, 1992]. Unlike their equally sublime French counterpart Fatal Mambo, you'd never peg this group's origin. From the Spanish enunciation to the rhythmic complexity and sheer bravado of the Latin-style brass players, this is explosive, high-octane stuff embedded in sophisticated arrangements and compositions. Unfortunately, Cuban-style vein-poppin' trumpets -- over a machine-gun tattoo of timbales and multiple congas against chorus and piano -- would, on most systems, melt the very enamel off your teeth. I've been ousted out of more than one CES demo when the manufacturer realized his system wasn't up to parlaying such sharp leading edges without driving everyone but the rare braves out of the room. |
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Take "Mambo De La Luz". The trumpets rip as though Maynard Ferguson was busting blood vessels; wooden sticks keep syncopated time on hard-edged rims and bells; trombones bellow like testosterone-poisoned bucks; everyone blows at top air speed. It's electrifying white-knuckle stuff. The SE-9 didn't miss a beat. Neither did it tear my ears off as many 5-figured systems have on plenty of occasions. It kept the pace without congealing, congesting or rounding over the heavy-metal brightness of the brass section. I'll coin a neo-Zen paradoxical phrase to describe this civilized fidelity to intensity: Edgeless Edge. Why so much emphasis on that? Simply because the ubiquitous Jazz ballad or string quartet is bound to -- and does, I checked -- sound marvelous on a properly engineered SEP amp that's not driven beyond capacity. You expect that. The question is: Can it rock, can it mambo, can it techno, can it drive a semi truck up a pothole-ridden incline? Does it fall apart when asked to keep PRAT? Does it overlay everything with a prettifying patina of rosy glow and dragging restraint? In the present case, most assuredly not. This amp was obviously designed by folks who listen to regular music, not just audiophile chestnuts. To gauge its bass prowess, I picked Karsh Kale's Realise [six degrees, 657036-1051-2, 2002], a punk/funk/techno/house/dub mix from one of the leaders in Asia's Massive Movement. His instrumental credits include "acid lines and low end" - just what the doctor needed weighed. |
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Frankly, some of this is colder, harder hitting stuff than what I listen to for fun. Yet I appreciate the ingenuity and creativity of bridging classical Indian styles with cutting-edge modern concepts.
If my ears didn't wilt or bleed from purpose-engineered sibilance and the brutality of cyborg drum machines -- and conversely, if it didn't sound like Mozart in drag or some such strange unrecognizable disguise -- even devotees of such fare, or related fields such as Rap and various underground styles, could benefit from this particular system. |
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Expectations for Realise were shaped by reviewing this CD on my 4x10-inch, sealed and actively powered Avantgarde Duo subwoofer system. Not surprisingly, the headphone system couldn't recreate the visceral jackhammer pounding of the lowest bass notes as full-length pressure waves assaulting my bowels. The SE-9 and K-1000s clocked in but didn't pummel the bossman to a bloody pulp. Something like HeadRoom's BlockHead with a pair of enclosed Sennheiser HD600 would probably come as close to this punk "ideal" as a 1-inch transducer close-coupled to the ear could ever hope to. Still, I was perfectly content enjoying this impact-scaled version and would likely prefer it to being bludgeoned to death in such close-up quarters. With this type of punishing fare, the rig lost some low-end displacement menace to the 120wpc eVo2i but made for easier listening by adding some tube-induced warmth. The moral of the story? The SE-9/K-1000 pairing is my kind of system. It excels not only at Classical and Jazz -- the stuff Corey Greenberg's audiophile old goats listen to -- but the broad range of fare I review in the worldmusic section. If your listening emphasizes power rock and contemporary dance hall styles, you might be better served with a sealed headphone system and high-power amplification that adds that last fiber of muscle behind each bass pulse. If you enjoy such music on occasion, rest assured that today's rig handles it with aplomb. It simply couches the idiom in fancier threads than true believers might find proper. More finesse and silk, less brawn and black leather. The final reckoning: Prenup's signed and the sparks are flying
Manufacturer's Reply
Manufacturer's Reply II
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nOrh website
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AKG website
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Stefan AudioArt website
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HeadRoom website
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