|
But that was grieving over very little! For this kind of money I know nothing better. Only my Magnat RV3—aided and abetted by a brilliant valve stage—begins to open up more about the tiniest of mosaic pieces which turn this musical extravaganza into an experience. And as I mentioned before, this muscle amp wants as much as about 3½ x what the D 7050 gets. Not to mention that this sympathetic and far from radically rolled-off treble benefits a number of recordings. Merely think streaming services which nearly exclusively broadcast lossy which can lead to artifacts and a peculiar artificial gleam. [With Qobuz and WiMP Europeans already have two exceptions which stream at CD quality – Ed.]
|
![](2.png) |
Your chosen hookup—wireless or cabled—does make a difference. When I used wireless AirPlay, the John Butler Trio’s "Blame it on me" from their Flesh & Blood album exhibited the familiar cracking groove with its clearly attack-heavy mix of percussion and low-tuned e-bass particularly at the beginning. Turning to USB showed that AirPlay lacked some venue depth and a certain ease which gives this cut its typical swing. The spaces on the virtual stage felt narrower, the presentation projected more into the foreground.
Relative to musical flow it engaged the handbrake at least a bit. Even on bass precision where the e-bass is supposed to growl with edge, the ‘Apple Stream’ left a bit to be desired. Since my iMac doesn’t support the apt-x codec (no Apple product does), I spared myself any A/B via Bluetooth. From experience I know that Bluetooth without apt-x performs well below AirPlay whilst with it both formats are quite equal. If you’ve got the choice, I’d run the D 7050 via its async USB or Toslink which achieves maximally 192kHz.
|
![](http://6moons.com/audioreviews_keyads/6.jpg) |
![](http://6moons.com/1button_back.gif) ![](http://6moons.com/1button_next.gif) |
![](http://6moons.com/header_copright.gif) |
|