The RE2000 is far from HifiMan's first venture into the IEM segment. As this family tree shows, they've been at it for already a decade. But the RE2000 is first for featuring a non-captive thus removable wire harness. At its flagship positioning, ambitious users love to roll cables. In fact, they often won't consider acquisition if this option is absent. That's not unlike hi-end hifi and active speakers. Purist punters reject active boxes because they force upon them whatever amplification the manufacturers built in. Surely they (the punters) could and would do better. Right. The RE2000 too cover your righteousness so you will make 'em your choice. Capiche?
Actually, my contact at the factory inquired especially whether I planned on using any other cables. I most certainly did not.
Quelle horreur. At $2'000, I expected not only a top-notch stock wire. I expected one that'd be an intrinsic part of the final product's voicing. With its silver-coated mono-crystal copper conductors sourced from one of the very few remaining mills which cast such wire, there'd be no holy roller second-guessing from me.
As an in-ear monitor, mobile ambitions are obviously paramount for the RE2000. Hence the responsive 103dB sensitivity spec. It'll go plenty loud even off a smartphone. Impedance is a friendly 60Ω, claimed response 5Hz-20kHz, weight 31.8g (13.8 for the monitors, 23 for the cable). As to what kind of rubbery tips, brushes and carrying pouch come with, I'd have to wait for actual delivery.
Those with runaway fears—that HifiMan's pricing keeps escalating—would, in the later part of 2017, see affordable HifiMan Bluetooth headphones, even miniature loudspeakers. The first part of 2017 was squarely dedicated to rolling out the $50'000
Shangri-La electrostatic flagship with 4 x 300B amplifier; the $6'000
Susvara planarmagnetic flagship with stealth-magnet array; and today's $2'000 RE2000 flagship IEM. With that, flagship harbour should be closed for the season.
The arms race. The trend for exotic IEMs has been multiple balanced armature drivers with up to 4-way crossovers; perhaps to distinguish them from the sameness of a single dynamic driver (what would be a basic two-way monitor in hifi where 'more serious' equates to 3-way and 4-way boxes). Or like the digital arms race with ever higher sample rates, state-of-the-art IEMs have played the numbers games with rising complexity. But not everywhere. Campfire Audio for example have ambitious in-ears with dynamic Beryllium or non-crystalline diamond drivers.