On the subject of maintaining proper film tension, think of a planar membrane as a miniature drum skin. The longer and harder you bang on a drum, the quicker it will lower its pitch because it loosens up to require retightening. Ditto for planars that were played for just 100 hours versus 1'000. Higher mileage slightly relaxes their tension to boost efficiency and dynamics because the diaphragm can now move a bit more. This also softens the treble and slightly enlarges the soundstage.
Fang explained that across the first 20 hours, their planars sound very bad indeed. It's why the factory has a powerful burn-in station where about 100 units at a time get a 24-48hr workout depending on model. The improvement across those first hours is far more serious than anything which happens between 100-200 hours or later. But the upshot is plain. Comparisons between planar units of dissimilar usage time should always net different tension. "The true test is to compare left and right channels of individual units. Proper manufacturing will show no variance between them."
As to how Susvara compares to their electrostatic flagship, I would get my own op after the London CanJam event where a
Shangri-La sample would exhibit to make onward tracks to Ireland afterwards. Fang explained that due to their 50µm thin stator mesh, those could pass even a 1MHz signal without reflections to offer the most supreme treble imaginable. Conversely, a stat's limited excursion potential means less bass than a properly designed planar. To compensate, he collaborated with the Full Music tube factory which is only a 20-minute drive from HifiMan's China HQ (they now also have an office in Tokyo).