That in densely packed audio environments the cleaning action of all Akiko Audio products we'd tested thus far is effective was a given to us by now. The proof is simple. Just remove the stick or enhancer. After a few minutes—the effect is not instantaneous—the sound alters. During those few minutes when the pollution builds up again, the listener gets back to the previous listening reality. In most cases the sound loses its pleasantness. Compare the effect to over-sharpening in Photoshop. Reintroducing the filtering device rids the sharpened edges of their pixilation just enough to make the sound pleasant again. Just as with removing the device, the effect of adding it kicks in after a few minutes. We imagine the innards of the stick or enhancer to contain various crystals which warm up by the captured EMF radiation. The thing is getting activated. Without fully understanding the workings of the Akiko devices, we only know for sure that they work and that we feel better off using them. So it was easy to approve an inquiry about whether we were interested to review Akiko Audio's latest, the Phono Booster. That is meant to connect to the ground of the phono preamp or at least to the ground wire of the turntable.


A phono signal is the smallest signal in an audio chain. In our case, the Zu DL103 puts out 0.3mV; not much. In order to prevent interference on that tiny signal, we had already attached an Akiko Audio Tuning Stick to the cables that connect the Dr. Feickert Blackbird with our Trafomatic Reference One tube phono pre amp. When the Phono Booster arrived, we met a 430g black box measuring 98 x 65 x 39mm, front adorned by a company logo while the back sported a gold-plated Hirschmann banana socket. At the bottom were four tiny feet. And here we had for the first time a criticism with an Akiko product. These feet were hard and not anti-slip.