In the circuit of the Sumo 9+, there are 2 diodes and the 150-ohm resistor connected to ground, which should counteract the decreasing current gain effect. If the positive output voltage level reaches the conducting voltage of the diode (about 0.7V), an additional current starts flowing to ground via the 150-ohm resistor. This additional current should deliver the extra necessary base current for higher output power. This circuit has two disadvantages: it compensates for the nonlinear base-current function only partially and adds a sudden switching behavior to the amp. When the output power is fairly low, unwanted noise or distortion become eminently annoying. This must be corrected for by the global feedback loop. The reliability or thermal runaway of the complete amp is dependent on the absolute value of the current amplifying factor of the massively paralleled output transistors. This factor increases with heat (see above) and therefore increases the quiescent current of the output stage. It's not foolproof either. If only one speaker terminal is accidentally shorted to ground (no short circuit!) and music is playing, this amp explodes. The Sumo 9 and 9+ were well known for their blown output transistors. Repair was nightmarish because of the requirement for perfect transistor matching. Hence very few of these amps survived. It's also clear that such a fragile design was only capable of delivering less than 100 watts. Increasing the output power would have meant far greater unreliability in practice.
The disadvantages of the Sumo circuit compared to mine are: